Poetry as Spellcasting book cover

Body, Mind & Spirit

Poetry as Spellcasting By Tamiko Beyer, Destiny Hemphill, Lisbeth White Book Review & Analysis

To call Poetry as Spellcasting, a collection edited by Tamiko Beyer, Destiny Hemphill, and Lisbeth White, published in 2023, simply an anthology of poems would be a disservice. It is, …

To call Poetry as Spellcasting, a collection edited by Tamiko Beyer, Destiny Hemphill, and Lisbeth White, published in 2023, simply an anthology of poems would be a disservice. It is, instead, a potent grimoire, a gathering of incantations woven with the threads of lived experience, resistance, and the sheer transformative power of language. Beyer, Hemphill, and White, all established poets and activists themselves, have curated a collection that vibrates with an energy that feels both ancient and urgently contemporary. The book emerges into a world grappling with social injustice, environmental crises, and a pervasive sense of disquiet, making its exploration of poetry as a tool for change all the more relevant. Check it out on Amazon.

The editors have structured the collection to emphasize the multifaceted nature of “spellcasting” through verse. It isn’t about fantastical magic; rather, it’s about harnessing the inherent power of words to alter perceptions, challenge dominant narratives, and create space for healing and liberation. The poems are divided into thematic sections, each exploring different aspects of this concept. One section might focus on poems as acts of resistance, another on the power of language to reclaim identity, and another on using poetry as a form of personal and collective healing. This structure helps the reader navigate the diverse voices and perspectives presented, creating a cohesive and engaging reading experience. The flow of ideas is seamless, moving from intimate personal reflections to broader social commentaries.

What makes Poetry as Spellcasting truly captivating is the sheer breadth of voices it amplifies. The book isn’t a homogenous collection; instead, it’s a vibrant tapestry of experiences. There is a palpable sense of urgency and vulnerability in many of the poems. For example, one contributor, using the metaphor of a garden, illustrates the resilience of marginalized communities. Another poem uses sharp, direct language to confront systemic inequalities. These poems do more than just describe; they actively engage the reader in a dialogue about power, identity, and the world we want to build. They are not merely words on a page; they are living, breathing entities.

The emotional impact of this collection is profound. It’s a book that makes you feel, not just think. It’s a cathartic experience to witness such raw honesty and vulnerability being shared through the art of poetry. One particular poem about intergenerational trauma resonated with me deeply. It highlighted the way that wounds of the past can echo through generations, and the importance of acknowledging and healing them. It felt like I was witnessing a sacred ritual of transformation, and it left me with a renewed sense of hope. It is in these moments of raw emotionality that the collection truly shines. Find your copy here.

The strength of this book also lies in its ability to translate abstract ideas into tangible experiences. The concept of “spellcasting” might seem esoteric to some, but the poems within these pages ground it in the real world. They demonstrate how language can be a tool for activism, a means of expressing grief, a way to forge connections, and a catalyst for change. The authors draw upon personal histories, cultural references, and historical context to create powerful narratives that resonate on multiple levels. They are not simply speaking from the margins; they are creating a new center, one built on the power of collective voice.

The writing style is as varied as the poets themselves, yet there’s a shared sense of intentionality. Some poems are spare and minimalist, relying on precise imagery to convey their meaning. Others are lush and lyrical, overflowing with metaphor and symbolism. Some are conversational, almost like spoken word pieces, while others are dense and layered, requiring multiple readings to fully unpack their meaning. This diversity of approach keeps the reader engaged and challenges them to engage with the poems in different ways. The editors’ curatorial hand is evident in how they’ve created a conversation between different styles and perspectives. Available on Amazon.

The book’s authority is built upon the collective experiences and expertise of the poets involved, each a master of their own craft. The editors themselves are well-respected figures in the poetry community, and they have carefully chosen contributors whose work is known for its integrity and emotional power. This isn’t a collection based on theory alone; it’s grounded in the lived reality of those who have used poetry as a means of survival, resistance, and transformation. It’s a testament to the enduring power of the human spirit to find beauty and meaning in the face of adversity.

Poetry as Spellcasting matters because it reminds us of the power we hold within our own words. It’s a call to action, a reminder that poetry is not just a passive art form but an active force for change. It is a potent reminder that in a world often marked by division and despair, there is still hope to be found in the collective power of storytelling and the magic of the human voice. This collection is more than just a collection of poems; it is a testament to the transformative potential of language and a powerful tool for anyone seeking to understand their own power in the world. Grab your copy here.

I wholeheartedly recommend this book to anyone interested in poetry, social justice, or the power of language. It would be particularly beneficial for writers, activists, educators, and anyone seeking to explore the transformative potential of words. Readers who appreciate the work of poets like Adrienne Rich, Audre Lorde, and June Jordan will find much to admire in this collection. In addition, readers seeking similar books might enjoy collections like “Citizen” by Claudia Rankine or “Don’t Call Us Dead” by Danez Smith. Poetry as Spellcasting is not simply a book to read; it is an experience to be had, a spell to be cast, and a world to be reimagined.